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Bastin. M.L. (1986) Unpublished letter relating to a Chokwe female mask.

Beidelman, T.O. (1967) The Matrilineal Peoples of Eastern Tanzania. London, International African Institute.

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Biebuyck, Daniel. (1981) Statuary of the pre-Bembe hunters. Issues in the interpretation of ancestral figurines ascribed to the Basikasingo-Bembe-Boyo. Tervuren, Musée Royal de l'Afrique Centrale.

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Bourgeois, Arthur P. (November, l980) "Kakungu Among the Yaka and Suku," African Arts XIV, No.1. Los Angeles, UCLA.

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Cameron, E.L. (November 1988) "Sala Mpasu Masks" African Arts. Vol. XXII, No. 1. Los Angeles, UCLA

Carroll, Kevin, (1967) Yoruba Religious Carving: Pagan & Christian Sculpture in Nigeria & Dahomey. London: Geoffrey Chapman.

Cordwell, J. (2000 ?) Unpublished letter regarding a Benin Ivory figurine.

Cole, H. and Ross, (1977) Arts of Ghana. Los Angeles, UCLA, Museum of Cultural History.

Cole, H. & C. Aniakor. (1984) Igbo Arts- Community and Cosmos. Los Angeles, University of California.

Cornet, Joseph. (1978) A Survey Of Zairian Art: The Bronson Collection. Raleigh, North Carolina Museum Of Art.

Cornet, Joseph. (1982) Art Royal Kuba. Milan, Edizioni Sipiel.

Davis, Charles B, (1981) The Animal Motif in Bamana Art, New Orleans, Davis Gallery.

De Heusch, Luc (1982- English language edition) The Drunken King, or, The Origin of the State (African Systems of Thought Series) Bloomington, Indiana University Press.

De Heusch, Luc (1985) Sacrifice In Africa - A Structuralist Approach (African Systems of Thought Series) Bloomington, Indiana University Press.

De Mahieu, W. (1985) Qui A Obstrue La Cascade? Analyse Semantique Du Rituel De La Circoncision Chez Les Komo Du Zaire. Belgium, Cambridge University Press.

De Sousberghe, Leon. (1960) L'art Pende. Brussels, Academie Royale de Belgique.

Rene Devisch (1993) Weaving the Threads of Life. Chicago, University of Chicago Press.

Dieterlen, Germaine, (May 1989) Mask and Mythology among the Dogon, African Arts, Vol. XXII, No. 3. Los Angeles,UCLA.

Dobbelmann, (1976) Dr. Th. A. H. M. Der Obgoni-Geheimbund: Bronzen Aus Sudwest-Nigeria. Netherlands, Afrika Museum, Berg En Dal.

Douglas, Mary. (1963) The Lele of the Kasai. Oxford, For the International African Institute, Oxford U.P.

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Ezra, Kate (1992) Royal Art of Benin: The Perls Collection, New York: The Metropolitan Museum of Art.

Fagg, W. (1953) Webster Plass Collection of African Art, London: The British Museum.

Fagg, W. (text), Pemberton, J. (catalogue), Holcombe, B. (ed.). (1982) Yoruba: Sculpture of West Africa. New York, Pace Gallery.

Fagg, W. (1985) Unpublished letters relating to objects in this catalog.

Fardon, Richard (1990) Between God, The Dead and The Wild, Chamba Interpretations of Ritual and Religion.Washington D.C., Smithsonian Institution Press.

Felix, Marc. (1989) Maniema: An Essay on the Distribution of the Symbols and Myths as Depicted in the Masks of Greater Maniema. München, Fred Jahn.

Felix, Marc. (1990) Mwana Hiti. Life and Art of the matrilineal Bantu of Tanzania. München, Fred Jahn.

Felix, Marc. (1992) Ituri. The distribution of polychrome masks in Northeast Zaïre. München, Fred Jahn.

Felix, Marc and Jordán, Manuel. (1998) Makishi Lya Zambia. Mask Characters of the Upper Zambezi Peoples. München, Fred Jahn.

Fenzl, K. (Ed.) (1997) Makonde: "Mapiko". Linz, Science-Transfer, Edition Neue Galerie.

Fischer, Eberhard & Hans Himmelheber, (1984) The Arts of the Dan in West Africa. Zurich, Museum Rietberg.

Fischer, E. & Homberger, L. (1985) Die Kunst Der Guro, Elfenbeinkuste. Zürich, Museum Rietberg.

Foss, P. (July, 1976) "Urhobo Statuary for sprits and ancestors". African Arts, Vol. IX, No. 4. Los Angeles, UCLA.

Garrard, Timothy F. (1989) Gold of Africa : Jewellery and Ornaments from Ghana, Cote d'Ivoire, Mali and Senegal, From the Collection Barbier-Mueller, Geneve. München, Germany: Prestel.

Glaze, Anita J. (1981). Art and Death in a Senufo Village. Bloomington, Indiana University Press.

Griaule, M. (1938). Masques Dogons. Université de Paris, travaux et mém.de l'institut d'ethn. XXXIII, Paris.

Griaule (1963) Masques Dogon Travaux et Memoires de l' Institut d' Ethnologie 33, Musee de l'Homme, Paris. 359-62. Translated by B. DeMott in Dogon Masks, A

Structural Study of Form and Meaning. Ann Arbor, 1982 UMI Research Press, Appendix III.

Harley, G.W. (1941) Notes on the Poro in Liberia. Massachusetts, Peabody Museum of American Archaeology and Ethnology Vol. XIC, No.2, Harvard University.

Harley, G.W. (1959) Masks as agents of Social control in Liberia. Massachusetts, Peabody Museum of American Archaeology and Ethnology Vol. XXXII, No. 2, Harvard University.

Hart, W. A. (February, 1986) "Aron Arabai: The Temne mask of Chieftancy". African Arts, Vol. XIX, No. 2. Los Angeles, UCLA.

Harter, Pierre. (1986) Arts anciens du Cameroun. Arnouville, Arts d'Afrique Noire.

Herreman, F., C. Petridis (eds.) (1993) Face of the Spirits - Masks of the Zaire Basin. Antwerp, Martial & Snoeck.

Hersak, Dunja. (1986) Songye masks and figure sculpture. London, Ethnographica.

Hol´y, L. (1967) The Art of Africa: Masks and Figures from Eastern and Southern Africa. London, Paul Hamlyn.

Huet, M. (photos), Savary, C. (text). 1995 (1996). THE DANCES OF AFRICA, New York.

Imperato P.J., (Autumn 1970) "The Dance of the Tyi Wara" African Arts. Vol. IV, No. 1. Los Angeles, UCLA.

Imperato, P.J. (1978) Dogon cliff dwellers. The Art of Mali's Mountain People, New York, Kahan.

Jacobson-Widding, Anita (1979) Red-White-Black as a Mode of Thought: A Study of Triadic Classification by Colours in the Ritual Symbolism and Cognitive Thought of the Peoples of the Lower Congo. Stockholm, Almqvist & Wiksell.

Jantzen, H. & Bertsch SJ, L. (eds.) (1993) Doppel-Leben. Ibeji. Zwillingsfiguren der Yoruba. Munich, Aachen.

Jones, C. (2002) Personal Communication regarding an Idoma shrine figure.

Jordán, M, Bastin M. L., et al. (1998). Chokwe!: art and initiation among the Chokwe and related peoples. Munich ; New York, Prestel.

Kamer, H. (1958), Art Negre. Cannes, Gallerie Remac.

Klein, H. (1985) Leo Frobenius: Ethnographische Notizen Aus Den Jahren 1905 und 1906 — I: Volker am Kwilu und unteren Kasai. Stuttgart, Franz Steiner Verlag Wiesbaden GMBH.

Klein, H. (1987) Leo Frobenius: Ethnographische Notizen Aus Den Jahren 1905 und 1906 — II: Kuba, Lele, Nord-Kete. Stuttgart, Franz Steiner Verlag Wiesbaden GMBH.

Klein, H. (1988) Leo Frobenius: Ethnographische Notizen Aus Den Jahren 1905 und 1906 — III: Luluwa, Süd-Kete, Bena-Mai, Pende, Chokwe. Stuttgart, Franz Steiner Verlag Wiesbaden GMBH.

Klein, H. (1990) Leo Frobenius: Ethnographische Notizen Aus Den Jahren 1905 und 1906 — IV: Kanyok, Luba, Songye, Tetela, Songo Meno/Nkutu. Stuttgart, Franz Steiner Verlag Wiesbaden GMBH.

Krieger, K. (1965- 1969) Westafrikanische Plastik I, II, III. Berlin, Museum fur Volkerkunde

Krieger, K. (1990) Ostafrikanische Plastik. Berlin, Museum fur Volkerkunde.

Kjersmeier, Carl (1935-38) Centres de style de la sculpture Negre Africaine. vols. 1-4. Copenhagen, Vald. Pedersens.

Hans-Joachim Koloss (Ed.) (2002) Africa: Art and Culture: Masterpieces of African Art Ethnological Museum, Berlin. Munich, Prestel.

Lehuard, Raoul. (1989) Art Bakongo. Les Centres de Style, Volumes I and II. Arnouville, Arts d'Afrique Noire.

Lehuard, Raoul. (1993) Art Bakongo. Les Masques, Volume III.Arnouville, Arts d'Afrique Noire.

Lehuard, Raoul. (1998) Art Bakongo Insigne De Pouvoir, Volume IV, Arnouville, Arts d'Afrique Noire.

Leuzinger, Elsy (1978) 2nd unchanged edition, African Sculpture: A Descriptive Catalogue. Zurich, Museum Rietberg.

MacGaffey, Wyatt. (1993) Astonishment and Power Washington, D.C., National Museum of African Art, Smithsonian Institution.

Maes, J. (1924) Aniota-Kifwebe. Les masques des populations du Congo belge et le matériel des rites de circoncision. Anvers, Editions de Sikkel.

Maes, J., and Boone, O. (1935) Les Peuplades du Congo Belge. Nom et Situation Géographique. Bruxelles, Monnom.

Maes, J. (1938) Kabila- en grafbeelden uit Kongo. Bruxelles, Annales du Musée du Congo Belge, Van Campenhout.

Mato, D. & Miller, C. Sande. (1990) Masks and Statues from Liberia and Sierra-Leone, Amsterdam, Galerie Balolu.

Mbeky, M. N. (2002) Personal Communication.

McCall, D. F. (1978) "The Marvelous Chicken and Its Companion in Yoruba Art and Mythology." Paideuma 24. Frankfurt am Main, Frobenius-Institut at the J.W. Goethe University.

McCulloch, M. (1950, reprint 1964) Peoples of Sierra Leone. London, International African Institute.

McLeod, M.D., (1984 reprint of 1981 ed.) The Asante. London, British Museum publications.

Mestach, J.W. (1988) Unpublished letter relating to a Songye Kifwebe mask.

Mestach, J.W. (1985) Songye Studies. Form and Symbolism. An Analytical Essay/EtudesSongye/Songye Studien. Munich, Fred Jahn.

Meurant, G. (1995) Mbuti Design: Paintings by Pygmy Women of the Ituri Forest. New York and London, Thames and Hundson.

Meyer, Piet (1981) Kunst und Religion der Lobi, Zurich: Museum Rietberg.

Mikobi Mi Nang, the Ipantshiel i Tshikel (2002) Interviewed by M. Mbeky, Mwek Bushoong village; Unreleased videotape. New York, The Bakuba Archives.

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Newton, Douglas & Waterfield, Hermione (1995) Tribal Sculpture, Masterpieces from Africa, South East Asia and the Pacific in the Barbier-Mueller Museum. New York, Vendome Press.

Neyt, François, (1977) La grande statuaire Hemba du Zaire. Louvain-La-Neuve, Institut superieur d'archeologie et d'histoire de l'art.

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Neyt, François, (1994) Luba. To the sources of the Zaire. Paris, Musée Dapper.

Nicklin, K. (Spring, 1974) "Nigerian Skin Covered Masks". African Arts, Vol. VII, No. 3. Los Angeles,UCLA.

Nicklin, K. (1989) Unpublished letter relating to skin covered masks in this catalog.

Northern, T. (1984) The Art of Cameroon. Washington D.C., Smithsonian Institution Traveling Exhibition Service.

Olbrechts, Frans, Crowley, D. (trans.) (1946 — 1982 English translation) Congolese Scultpure. New Haven, HRAF Inc.

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Perrois, Louis, (1986) Ancestral Art of Gabon, from the Collections of the Barbier-Mueller Museum. Dallas, Texas, and Los Angeles, California: Dallas Museum of Art / Los Angeles County Museum of Art.

Perrois, Louis, (2001) "Art of the Kwele of Equatorial Africa: Ancestor masks, Bush spirit masks", The World of Tribal Arts, Vol. VI, No. 4. California, Tribarts Inc.

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Phillips, Ruth B. (1995). Representing woman: Sande masquerades of the Mende of Sierra Leone. Los Angeles, Calif., UCLA Fowler Museum of Cultural History.

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Roberts, A.F. & Maurer, E.M. (eds.) (1985) Tabwa. The Rising of a New Moon: A Century of Tabwa Art. Ann Arbor, University Of Michigan, Museum Of Art, Alumni Memorial Hall.

Roberts, A. F. (April, 1990) "Tabwa Masks, An Old Trick of the Human Race," African Arts, Vol. XXIII, No. 2. Los Angeles, UCLA.

Roberts Mary Nooter and Roberts Allen F.; with contributions by S. Terry Childs ... [et al.]. (1996) Memory: Luba art and the making of history New York/Munich: Museum for African Art/Prestel.

Roberts Mary Nooter, Roberts Allen F. (1996) The Shape of Belief: African Art from the Dr. Michael R. Heide Collection.Washington, University of Washington Press.

Rodolitz, K. Scott (1994) "Towards an Understanding of Style Complexes as a Means of Determining the Attribution of Masks of Eastern and Northeast Central Zaire", St. Petersburg Journal of African Studies, Vol. I, Number 2. St. Petersburg, Izd. Evropiesky Dom.

Rodolitz, K. Scott (contributor) in Ghent, G. (Curator) (2002) Emblems of Passage: Art of Africa, Oceania, and the Americas. San Francisco, MOCFA.

Roy, Christopher D. (1985) Art and Life in Africa: Selections from the Stanley Collection. Iowa City, University of Iowa Museum of Art.

Roy, Christopher D. (1987) Art of the Upper Volta Rivers , Meudon, France: Chaffin.

Roy, Christopher D. (1990) Unpublished letter relating to a Mossi post figure.

Schaedler, Karl-Ferdinand. (ed.) (1997) Earth and Ore: 2500 years of African art in terra-cotta and metal. Munich.

Schildkraut, E. and Keim, C. (1990) African Reflections: Art from Northeastern Zaïre. New York, American Museum of Natural History.

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Schuster, Carl and Edmund Carpenter. (1986) Materials for the Study of Social Symbolism in Ancient & Tribal Art. A Record of Tradition and Continuity; Vols. I - XII. New York, Rock Foundation.

Schuster, Carl & Carpenter, Edmund (1996) Patterns That Connect.
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Sieber, Roy, ed. (1997) African Art: Permutations of Power. Gainesville, Harn Museum.

Siroto, Leon; 1995. East of the Atlatic, West of the Congo: Art from Equatorial Africa. San Francisco, COFAM / DeYoung Memorial Museum.

Sotheby's (November, 1997) Important Tribal Art. (Lot 25). New York, Sotheby's.

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Thompson, Robert Farris (1974) African Art in Motion: Icon and Act in the Collection of Katherine Coryton White, Washington, D.C., National Gallery of Art.

Thompson, Robert Farris, (1976) Black Gods and Kings: Yoruba Art at UCLA. Bloomington: Indiana University Press.

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Torday, Emil, and T. A. Joyce (1910) Notes ethnographiques sur les peoples communément appelés Bakuba, ainsi que sur les peuplades apparentées: Les Bushongo. Brussels: Annales du Musée du Congo Belge.

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Wittmer, Marcilene K. & Arnett, William, (1978) Three Rivers of Nigeria. Atlanta: High Museum of Art.

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